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Please use this identifier to cite or link to this item: http://192.168.1.231:8080/dulieusoDHQB_123456789/3947
Title: Folklore and Sociolinguistics
Other Titles: Verbal art and speech play; ethnopoetics; ethnography of speaking; performance; speech act theory; semiotics; oral-formulaic theory
Authors: John Holmes, McDowell
Keywords: General Works
History of scholarship and learning.
The humanities
Issue Date: 2018
Publisher: MDPI AG
Abstract: Folklore and sociolinguistics exist in a symbiotic relationship; more than that, at points—in the ethnography of communication and in ethnopoetics, for example—they overlap and become indistinguishable. As part of a reaction to the formal rigor and social detachment of Chomsky’s theoretical linguistics, sociolinguistics emerges in the mid-twentieth century to assess the role of language in social life. Folklorists join the cause and bring to it a commitment to in-depth ethnography and a longstanding engagement with artistic communication. In this essay, I trace key phases in the development of this interdisciplinary movement, revolutionary in its reorientation of language study to the messy but fascinating realm of speech usage. I offer the concept of performative efficacy, the notion that expressive culture performances have the capacity to shape attitude and action and thereby transform perceived realities, as a means of capturing the continuing promise of a sociolinguistically informed folkloristics.
URI: http://lrc.quangbinhuni.edu.vn:8181/dspace/handle/DHQB_123456789/3947
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